![]() ![]() On the other hand, George Clooney plays a self-important Bruce Wayne who seems painfully out of place, creating a Batman that seems defeated for all the wrong reasons.ĩ. Arnold Schwarzenegger and Uma Thurman know exactly the kind of film they’re making and jump at the chance to be as hammy as possible. The toyetic and absurd Batman & Robin, a shameless attempt to maximize merchandising grosses, marked the complete decline of the franchise.įor all its colors and over-the-top antics Batman & Robin is dull and uninspired it doesn’t know what it wants to be and is often multiple things at once. The Batman series of the 1960s embraced camp, finding strength in its pulp, something Joel Schumacher’s movies failed to do. Batman & Robin (1997) Warner Bros., 1997Ĭamp and superheroes get along just fine, so long as both parties are on the same wavelength. Each Batman movie is memorable in its own way, but a few rise above the genre’s conventions, redefining what audiences expect from a comic book movie - and Batman himself. Dating back to the 1960s, fans have seen all manner of takes on Batman, from the pulpy and colorful to the aggressively dark, from merely decent to quite good. ![]() Critics are calling it the best comic book movie since The Dark Knight, which is still the barometer against which all comic book adaptations are measured.īut what makes a good Batman movie? Faithfulness to the ever-changing source material, compelling villains, and ambitious production values contribute to a successful adaptation, but the Dark Knight invites intricacy. The latest entry in this venerable franchise, Matt Reeves’ highly anticipated The Batman, is a neo-noir take that puts the world’s greatest detective and his legendary skills front and center. As one of the greatest superheroes of all time, Batman has been the subject of multiple big-screen adaptations, each attempting to bring something new to his already complex mythos. ![]()
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